{"title":"New Albums","description":"","products":[{"product_id":"skindred-you-got-this-digital-download-pre-order","title":"Skindred \"You Got This\" Digital Download inc. Bonus Track","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 17, 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003eBoom! Skindred are back with their trademark ragga-inflected metal riffs that will make you start a mosh pit. New for 2026.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the outset of 2023, Benji Webbe considered his band Skindred to be Britain’s best kept secret. Newport’s reggae-metal soundsystem had earned a wealth of respect, especially on the live front with their life-affirming energy, crowd-pleasing antics, and runaway charisma. Whether they were touring with Korn or KISS, Skindred would bring the noise and leave Arena-sized rooms full of people - often complete newcomers who’d never heard the band before - beaming from ear-to-ear.\u003c\/p\u003e\n\u003cp\u003eBut as the year unfolded, Skindred flipped from cult curiosity to mainstream success: the ‘Smile’ album shot to #2 in the UK charts, they headlined their own packed out Wembley Arena, became proud winners of Best Alternative Act at the MOBO Awards, and topped the bill on different Glastonbury stages two years in a row. The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living – he’s the loudest life coach you’ll ever meet.\u003c\/p\u003e\n\u003cp\u003eSo, for Skindred, the ‘Smile’ wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. You Got This\u003cbr\u003e2. Can I Get A\u003cbr\u003e3. Born Fe Dis\u003cbr\u003e4. This Is The Sound\u003cbr\u003e5. Broke\u003cbr\u003e6. Glass\u003cbr\u003e7. Big 'Em Up\u003cbr\u003e8. Do It Like This\u003cbr\u003e9. My People\u003cbr\u003e10. Give Thanks\u003c\/p\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":55882885955963,"sku":"MOSH729-DD","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/SkindredYGT_AlbumCover.jpg?v=1761931366"},{"product_id":"skindred-you-got-this-digipak-cd-pre-order","title":"Skindred \"You Got This\" Digipak CD","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 17, 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003eBoom! Skindred are back with their trademark ragga-inflected metal riffs that will make you start a mosh pit. New for 2026.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the outset of 2023, Benji Webbe considered his band Skindred to be Britain’s best kept secret. Newport’s reggae-metal soundsystem had earned a wealth of respect, especially on the live front with their life-affirming energy, crowd-pleasing antics, and runaway charisma. Whether they were touring with Korn or KISS, Skindred would bring the noise and leave Arena-sized rooms full of people - often complete newcomers who’d never heard the band before - beaming from ear-to-ear.\u003c\/p\u003e\n\u003cp\u003eBut as the year unfolded, Skindred flipped from cult curiosity to mainstream success: the ‘Smile’ album shot to #2 in the UK charts, they headlined their own packed out Wembley Arena, became proud winners of Best Alternative Act at the MOBO Awards, and topped the bill on different Glastonbury stages two years in a row. The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living – he’s the loudest life coach you’ll ever meet.\u003c\/p\u003e\n\u003cp\u003eSo, for Skindred, the ‘Smile’ wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. You Got This\u003cbr\u003e2. Can I Get A\u003cbr\u003e3. Born Fe Dis\u003cbr\u003e4. This Is The Sound\u003cbr\u003e5. Broke\u003cbr\u003e6. Glass\u003cbr\u003e7. Big 'Em Up\u003cbr\u003e8. Do It Like This\u003cbr\u003e9. My People\u003cbr\u003e10. Give Thanks\u003c\/p\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":55882888282491,"sku":"MOSH729","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/SkindredYGT_RegCD.jpg?v=1761931597"},{"product_id":"skindred-you-got-this-signed-digipak-cd-pre-order","title":"Skindred \"You Got This\" SIGNED Digipak CD","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 17, 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003eBoom! Skindred are back with their trademark ragga-inflected metal riffs that will make you start a mosh pit. New for 2026.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the outset of 2023, Benji Webbe considered his band Skindred to be Britain’s best kept secret. Newport’s reggae-metal soundsystem had earned a wealth of respect, especially on the live front with their life-affirming energy, crowd-pleasing antics, and runaway charisma. Whether they were touring with Korn or KISS, Skindred would bring the noise and leave Arena-sized rooms full of people - often complete newcomers who’d never heard the band before - beaming from ear-to-ear.\u003c\/p\u003e\n\u003cp\u003eBut as the year unfolded, Skindred flipped from cult curiosity to mainstream success: the ‘Smile’ album shot to #2 in the UK charts, they headlined their own packed out Wembley Arena, became proud winners of Best Alternative Act at the MOBO Awards, and topped the bill on different Glastonbury stages two years in a row. The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living – he’s the loudest life coach you’ll ever meet.\u003c\/p\u003e\n\u003cp\u003eSo, for Skindred, the ‘Smile’ wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. You Got This\u003cbr\u003e2. Can I Get A\u003cbr\u003e3. Born Fe Dis\u003cbr\u003e4. This Is The Sound\u003cbr\u003e5. Broke\u003cbr\u003e6. Glass\u003cbr\u003e7. Big 'Em Up\u003cbr\u003e8. Do It Like This\u003cbr\u003e9. My People\u003cbr\u003e10. Give Thanks\u003c\/p\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":55882890609019,"sku":"MOSH729-SIGNED","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/SkindredYGT_SignedCD.jpg?v=1761931699"},{"product_id":"skindred-you-got-this-usb-pre-order","title":"Skindred \"You Got This\" USB","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 17, 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003eBoom! Skindred are back with their trademark ragga-inflected metal riffs that will make you start a mosh pit. New for 2026.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the outset of 2023, Benji Webbe considered his band Skindred to be Britain’s best kept secret. Newport’s reggae-metal soundsystem had earned a wealth of respect, especially on the live front with their life-affirming energy, crowd-pleasing antics, and runaway charisma. Whether they were touring with Korn or KISS, Skindred would bring the noise and leave Arena-sized rooms full of people - often complete newcomers who’d never heard the band before - beaming from ear-to-ear.\u003c\/p\u003e\n\u003cp\u003eBut as the year unfolded, Skindred flipped from cult curiosity to mainstream success: the ‘Smile’ album shot to #2 in the UK charts, they headlined their own packed out Wembley Arena, became proud winners of Best Alternative Act at the MOBO Awards, and topped the bill on different Glastonbury stages two years in a row. The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living – he’s the loudest life coach you’ll ever meet.\u003c\/p\u003e\n\u003cp\u003eSo, for Skindred, the ‘Smile’ wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. You Got This\u003cbr\u003e2. Can I Get A\u003cbr\u003e3. Born Fe Dis\u003cbr\u003e4. This Is The Sound\u003cbr\u003e5. Broke\u003cbr\u003e6. Glass\u003cbr\u003e7. Big 'Em Up\u003cbr\u003e8. Do It Like This\u003cbr\u003e9. My People\u003cbr\u003e10. Give Thanks\u003cbr\u003e11. 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Newport’s reggae-metal soundsystem had earned a wealth of respect, especially on the live front with their life-affirming energy, crowd-pleasing antics, and runaway charisma. Whether they were touring with Korn or KISS, Skindred would bring the noise and leave Arena-sized rooms full of people - often complete newcomers who’d never heard the band before - beaming from ear-to-ear.\u003c\/p\u003e\n\u003cp\u003eBut as the year unfolded, Skindred flipped from cult curiosity to mainstream success: the ‘Smile’ album shot to #2 in the UK charts, they headlined their own packed out Wembley Arena, became proud winners of Best Alternative Act at the MOBO Awards, and topped the bill on different Glastonbury stages two years in a row. The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living – he’s the loudest life coach you’ll ever meet.\u003c\/p\u003e\n\u003cp\u003eSo, for Skindred, the ‘Smile’ wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. You Got This\u003cbr\u003e2. Can I Get A\u003cbr\u003e3. Born Fe Dis\u003cbr\u003e4. This Is The Sound\u003cbr\u003e5. Broke\u003cbr\u003e6. Glass\u003cbr\u003e7. Big 'Em Up\u003cbr\u003e8. Do It Like This\u003cbr\u003e9. My People\u003cbr\u003e10. Give Thanks\u003cbr\u003e\u003c\/p\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":55882897883515,"sku":"MOSH729LP","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/SkindredYGT_BlackLP.jpg?v=1761931892"},{"product_id":"the-karma-effect-cruel-intentions-usb-stick-signed-xmas-card-pre-order-early-bird-price","title":"The Karma Effect \"Cruel Intentions\" USB Stick inc. Bonus Track","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: May 15, 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe follow-up to their show-stopping UK Top 20 album ‘Promised Land’, The Karma Effect arrive with their third record, 'Cruel Intentions’ — the most complete, crystal-clear realisation of their ambitions yet: leaner, louder, heavier, and joyously larger-than-life.\u003c\/p\u003e\n\u003cp\u003eExploring love, lust, and danger with dark passion and flashes of cheekiness, the songs balance swagger and wit. The band’s modus operandi is “modern vintage”, a desire to polish up the retro sounds they were raised on into a gleaming, modern product.\u003c\/p\u003e\n\u003cp\u003eAlthough some line-up changes occurred in the background (which sees Nathan Keevil join them on bass, Alan Taylor on drums, and Tom Pitt on keys), a turn of events that could have left them on shaky ground has instead been spun into a silver lining. Brimming with energy and fresh perspectives, the newly assembled line-up convened at The Hive Rooms, in the locale of Gatwick Airport, to nail down what would become ‘Cruel Intentions’ in July 2025.\u003c\/p\u003e\n\u003cp\u003e“We holed up in there, locked the doors and didn’t come out for a month,” Henry jests. “I didn’t see the sun that summer at all.” He had brought his new colleagues sketches of the album’s songs, and although their backbones largely remained as he had written them, they were sculpted by the hands of everyone in the band, making it, first and foremost, a collaborative effort capturing shards of everyone’s style and personality.\u003c\/p\u003e\n\u003cp\u003eThere are different shades to their sound on this outing. Henry’s songwriting leans towards the observational more than the personal. This time, there’s a dark passion coursing through these songs, preoccupied with notions of love, lust and the thrumming sense of danger in both.\u003c\/p\u003e\n\u003cp\u003eTake the swaggering ‘Dangerous Love’ – “It’s about doing things you shouldn’t do, but you can’t stop yourself: passion overtaking your senses and your mind getting away from you.” The title track, meanwhile, is about a stalker. It’s not entirely steeped in darkness, however – sometimes, there are flashes of cheekiness. ‘Better Luck Next Time’, for example, is a tongue-in-cheek meditation on feeling the sharp end of sod’s law, following someone’s day as it spirals into the stuff of farce. “We don’t take ourselves too seriously,” Henry reasons. “We know what we are in terms of the kind of music we play.”\u003c\/p\u003e\n\u003cp\u003eHenry terms the band’s modus operandi “modern vintage”, a desire to polish up the retro sounds they were raised on into a gleaming, modern product instead of trying to rehash or recycle them, and certainly without falling into the trap of pastiche. Regardless, their sights are set higher, and in possession of what they believe are their strongest songs yet, they’re hungrier to chase their goals than ever.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003c\/p\u003e\n\u003cp\u003e1. Ride or Die\u003cbr\u003e2. Dangerous Love\u003cbr\u003e3. Lady Bohemian\u003cbr\u003e4. Raised on Rock 'n' Roll\u003cbr\u003e5. Bad Manners\u003cbr\u003e6. Closest Thing To Crazy\u003cbr\u003e7. Waiting on a Miracle\u003cbr\u003e8. Better Luck Next Time\u003cbr\u003e9. Long Gone\u003cbr\u003e10. Cruel Intentions\u003cbr\u003e11. One More for the Road\u003cbr\u003e12. 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The band’s modus operandi is “modern vintage”, a desire to polish up the retro sounds they were raised on into a gleaming, modern product.\u003c\/p\u003e\n\u003cp\u003eAlthough some line-up changes occurred in the background (which sees Nathan Keevil join them on bass, Alan Taylor on drums, and Tom Pitt on keys), a turn of events that could have left them on shaky ground has instead been spun into a silver lining. Brimming with energy and fresh perspectives, the newly assembled line-up convened at The Hive Rooms, in the locale of Gatwick Airport, to nail down what would become ‘Cruel Intentions’ in July 2025.\u003c\/p\u003e\n\u003cp\u003e“We holed up in there, locked the doors and didn’t come out for a month,” Henry jests. “I didn’t see the sun that summer at all.” He had brought his new colleagues sketches of the album’s songs, and although their backbones largely remained as he had written them, they were sculpted by the hands of everyone in the band, making it, first and foremost, a collaborative effort capturing shards of everyone’s style and personality.\u003c\/p\u003e\n\u003cp\u003eThere are different shades to their sound on this outing. Henry’s songwriting leans towards the observational more than the personal. This time, there’s a dark passion coursing through these songs, preoccupied with notions of love, lust and the thrumming sense of danger in both.\u003c\/p\u003e\n\u003cp\u003eTake the swaggering ‘Dangerous Love’ – “It’s about doing things you shouldn’t do, but you can’t stop yourself: passion overtaking your senses and your mind getting away from you.” The title track, meanwhile, is about a stalker. It’s not entirely steeped in darkness, however – sometimes, there are flashes of cheekiness. ‘Better Luck Next Time’, for example, is a tongue-in-cheek meditation on feeling the sharp end of sod’s law, following someone’s day as it spirals into the stuff of farce. “We don’t take ourselves too seriously,” Henry reasons. “We know what we are in terms of the kind of music we play.”\u003c\/p\u003e\n\u003cp\u003eHenry terms the band’s modus operandi “modern vintage”, a desire to polish up the retro sounds they were raised on into a gleaming, modern product instead of trying to rehash or recycle them, and certainly without falling into the trap of pastiche. Regardless, their sights are set higher, and in possession of what they believe are their strongest songs yet, they’re hungrier to chase their goals than ever.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003c\/p\u003e\n\u003cp\u003e1. Ride or Die\u003cbr\u003e2. Dangerous Love\u003cbr\u003e3. Lady Bohemian\u003cbr\u003e4. 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The band’s modus operandi is “modern vintage”, a desire to polish up the retro sounds they were raised on into a gleaming, modern product.\u003c\/p\u003e\n\u003cp\u003eAlthough some line-up changes occurred in the background (which sees Nathan Keevil join them on bass, Alan Taylor on drums, and Tom Pitt on keys), a turn of events that could have left them on shaky ground has instead been spun into a silver lining. Brimming with energy and fresh perspectives, the newly assembled line-up convened at The Hive Rooms, in the locale of Gatwick Airport, to nail down what would become ‘Cruel Intentions’ in July 2025.\u003c\/p\u003e\n\u003cp\u003e“We holed up in there, locked the doors and didn’t come out for a month,” Henry jests. “I didn’t see the sun that summer at all.” He had brought his new colleagues sketches of the album’s songs, and although their backbones largely remained as he had written them, they were sculpted by the hands of everyone in the band, making it, first and foremost, a collaborative effort capturing shards of everyone’s style and personality.\u003c\/p\u003e\n\u003cp\u003eThere are different shades to their sound on this outing. Henry’s songwriting leans towards the observational more than the personal. 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color: black;\" lang=\"DE\"\u003eEyes of Despair\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 133.771px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"141\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.5625px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"80\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e0:03:03\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"mso-yfti-irow: 6; height: 5.65pt;\"\u003e\n\u003ctd style=\"width: 20.3542px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"23\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 198.708px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"213\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003eEthereal Dreams\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 133.771px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"141\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.5625px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"80\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e0:04:55\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"mso-yfti-irow: 7; height: 5.65pt;\"\u003e\n\u003ctd style=\"width: 20.3542px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"23\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e8\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 198.708px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"213\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003eSkinned by the Wind\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 133.771px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"141\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.5625px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"80\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e0:01:28\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"mso-yfti-irow: 8; height: 5.65pt;\"\u003e\n\u003ctd style=\"width: 20.3542px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"23\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e9\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 198.708px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"213\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003eDEATHWEAVER\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 133.771px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"141\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.5625px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"80\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e0:03:54\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"mso-yfti-irow: 9; height: 5.65pt;\"\u003e\n\u003ctd style=\"width: 20.3542px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"23\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 198.708px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"213\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003eFrost Forged\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 133.771px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"141\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.5625px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"80\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e0:03:56\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"mso-yfti-irow: 10; mso-yfti-lastrow: yes; height: 5.65pt;\"\u003e\n\u003ctd style=\"width: 20.3542px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"23\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 198.708px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"213\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eKillin Time (Until it's Time to Kill)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 133.771px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"141\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.5625px; padding: 0cm 3.5pt; height: 5.65pt;\" valign=\"bottom\" nowrap width=\"80\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 9.0pt; mso-bidi-font-family: Arial; color: black;\" lang=\"DE\"\u003e0:03:25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56125940924795,"sku":"TRA-SONYFROZENPLACELP","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/FrozenSoulLP.jpg?v=1772643315"},{"product_id":"at-the-gates-the-ghost-of-a-future-dead-cd-pre-order","title":"At The Gates \"The Ghost of a Future Dead\" CD","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 24, 2026\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2026, Swedish death metal legends At The Gates will release a brand new album, The Ghost of a Future Dead. The intended follow-up to 2021’s wildly adventurous The Nightmare of Being, the Gothenburg crew’s seventh studio album has now become a magnificent, emotionally turbocharged epitaph to frontman Tomas Lindberg, who tragically passed away in September 2025. An absolute titan of underground music, Lindberg completed work on vocals for the new record before entering hospital for vital surgery at the beginning of 2024. Meanwhile, after six years away, guitarist Anders Björler rejoined the band in 2022, returning to the same line-up that recorded certified classic Slaughter of the Soul nearly three decades earlier: Tomas Lindberg, Anders Björler, bassist Jonas Björler, drummer Adrian Erlandsson and guitarist Martin Larsson.\u003c\/p\u003e\n\u003cp\u003e“After all that time away from the band, it started to sound like a fun thing to me again,” admits Anders. “We did the Damnation Festival in the UK, and then the In Flames tour in Europe, and everyone was pretty excited about me coming back and working on a new album. We had some festival shows and then started making plans. Tomas started writing some lyrics, and in the spring of 2023 we started making some music. We were working on that for six months, but then Tomas was diagnosed in December 2023, when we’d booked a studio for February. That was a major blow for everybody.”\u003c\/p\u003e\n\u003cp\u003eDespite their frontman’s health battles, At The Gates were able to finish work on demos for the new album, including a complete set of vocal takes for the new songs from Lindberg. Firmly in the creative flow, the band made the shrewd decision to keep their new album plans on track, and entered Fascination Street Studios in Örebro, Sweden, with producer Jens Bogren in the New Year.\u003c\/p\u003e\n\u003cp\u003e“Tomas completed the last songs in January 2024, the day before he went into hospital,” says Anders. “We started to record the album, his surgery went well and we were in contact the whole time when we were in the studio. He was very excited to hear everything. We hadn’t really talked about a blueprint for the album, but it was Tomas’ idea, to do something more reminiscent of At War with Reality or Slaughter of the Soul. It’s not that, but in some instances it comes close! We were very focused on doing a very hard album - that was Tomas’ goal. It’s a hard-hitting album.”\u003c\/p\u003e\n\u003cp\u003eAt The Gates have never made the same album twice. From the esoteric brutality of their earliest albums like debut 1992’s The Red in the Sky is Ours, to the streamlined melo-death perfection of Slaughter of the Soul (1995), and on to the post-reunion grandeur of At War with Reality (2014) and the progged-out eccentricities of The Nightmare of Being (2021), the Swedes have never been interested in repeating themselves or pandering to a narrow section of their audience. The Ghost of a Future Dead continues that proud tradition, with a sound that draws from all of the band’s works to date, while twisting their nebulous formula into something fresh, ferocious and unfeasibly exciting. Having returned to the fold, Anders Björler once again assumed the role of chief songwriter.\u003c\/p\u003e\n\u003cp\u003e“I would say it’s like 50\/50 Me and Jonas,” he confirms. “It’s always been like that. When I was away, Jonas took it over 100 percent. When I came back, we went back to our old pattern. It’s a lot like what we had on At War with Reality. It’s reminiscent of that album in some ways because it’s a bit more straightforward, maybe thrashy and in my style, but mixed together with his more old school and quirky At The Gates stuff. It’s a great mix, I think.”\u003c\/p\u003e\n\u003cp\u003eAfter the radical experiments of The Nightmare of Being, At The Gates make a partial return to their classic, Swedish death metal sound on The Ghost of a Future Dead. From the blistering speeds and raging fury of opening anthems The Fever Mask and The Dissonant Void onwards, the new record is an exhilarating storm of fiery, melodic death metal with a fearless creative spirit, exemplified by Lindberg’s peerlessly pugnacious vocals. Whether it’s the dark and brooding Det Oerhörda, the monstrous post-punk tornado of In Dark Distortion, or the morbid muscularity of The Phantom Gospel, The Ghost of a Future Dead is another unequivocal triumph for At The Gates, and a fearsome final statement from one of metal’s all-time greats. \u003c\/p\u003e\n\u003cp\u003e“If I remember rightly, we had all the lyrics before it was recorded, but we played with the title after he was diagnosed,” says Anders. “So the title reflects his situation, that he might not survive the illness. The working title was The Dissonant Void, but in the spring of 2024, we changed it to The Ghost of a Future Dead. I don’t know if it was like a premonition of what was about to come or anything. But now it’s an eerie title, because he has passed. It makes the title even more real somehow.”\u003c\/p\u003e\n\u003cp\u003eTomas Lindberg passed away on September 16, 2025, at the age of 52. What followed was an overwhelming outpouring of appreciation and love from the worldwide metal community and beyond. In the midst of processing such a devastating loss, the remaining members of At The Gates vowed to complete the musical journey they had been on for the previous 12 months, with Tomas’ blessings and inspirational contributions still ringing in their ears.\u003c\/p\u003e\n\u003cp\u003e“It was a really bad rollercoaster, the last couple of months, but we talked about everything, the music videos, when we should release it, and the song order on the album etc. He was very open to the idea that he might not pull through, so there were some really weird discussions,” Anders recalls. “The album was done, but we were just thinking about him. Nothing else was important. But now we felt we had to finish it for him. It felt important again somehow.”\u003c\/p\u003e\n\u003cp\u003eAs Anders concludes, Tomas Lindberg was a unique and cherished man whose endless creativity and unerring importance to heavy music cannot be overstated. The Ghost of a Future Dead is another essential part of his brave, fascinating, and inspirational story, and arguably the most powerful album At The Gates have ever recorded. \u003c\/p\u003e\n\u003cp\u003e“There’s a legacy surrounding Tomas, especially in Sweden,” says Anders. “He’s a forefather. He was one of the first people in Gothenburg involved in this scene, and he was an important figure in the tape-trading scene. He was really warm and welcoming to new people. You felt welcome in his presence, somehow. He was super social. He had a lot of friends in a lot of bands around the world. The new album feels like a good, emotional release. To get our last creative moment together out on CD and vinyl, it’s more of an existential thing. The music will speak for itself!”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. The Fever Mask (03:12)\u003cbr\u003e2. The Dissonant Void (02:47)\u003cbr\u003e3. Det Oerhörda (03:35)\u003cbr\u003e4. A Ritual of Waste (03:35)\u003cbr\u003e5. In Dark Distortion (03:50)\u003cbr\u003e6. Of Interstellar Death (03:45)\u003cbr\u003e7. Tomb of Heaven (03:53)\u003cbr\u003e8. Parasitical Hive (04:34)\u003cbr\u003e9. The Unfathomable (04:07)\u003cbr\u003e10. The Phantom Gospel (02:44)\u003cbr\u003e11. Förgängligheten (02:41)\u003cbr\u003e12. Black Hole Emission (03:39)\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56125946167675,"sku":"TRA-SONYATGGHOSTCD","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/AtTheGates_13b958b2-58e2-4e09-9d09-256ba82d2199.jpg?v=1772643489"},{"product_id":"at-the-gates-the-ghost-of-a-future-dead-digipak-cd-w-poster-pre-order","title":"At The Gates \"The Ghost of a Future Dead\" Digipak CD w\/ Poster","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 24, 2026\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2026, Swedish death metal legends At The Gates will release a brand new album, The Ghost of a Future Dead. The intended follow-up to 2021’s wildly adventurous The Nightmare of Being, the Gothenburg crew’s seventh studio album has now become a magnificent, emotionally turbocharged epitaph to frontman Tomas Lindberg, who tragically passed away in September 2025. An absolute titan of underground music, Lindberg completed work on vocals for the new record before entering hospital for vital surgery at the beginning of 2024. Meanwhile, after six years away, guitarist Anders Björler rejoined the band in 2022, returning to the same line-up that recorded certified classic Slaughter of the Soul nearly three decades earlier: Tomas Lindberg, Anders Björler, bassist Jonas Björler, drummer Adrian Erlandsson and guitarist Martin Larsson.\u003c\/p\u003e\n\u003cp\u003e“After all that time away from the band, it started to sound like a fun thing to me again,” admits Anders. “We did the Damnation Festival in the UK, and then the In Flames tour in Europe, and everyone was pretty excited about me coming back and working on a new album. We had some festival shows and then started making plans. Tomas started writing some lyrics, and in the spring of 2023 we started making some music. We were working on that for six months, but then Tomas was diagnosed in December 2023, when we’d booked a studio for February. That was a major blow for everybody.”\u003c\/p\u003e\n\u003cp\u003eDespite their frontman’s health battles, At The Gates were able to finish work on demos for the new album, including a complete set of vocal takes for the new songs from Lindberg. Firmly in the creative flow, the band made the shrewd decision to keep their new album plans on track, and entered Fascination Street Studios in Örebro, Sweden, with producer Jens Bogren in the New Year.\u003c\/p\u003e\n\u003cp\u003e“Tomas completed the last songs in January 2024, the day before he went into hospital,” says Anders. “We started to record the album, his surgery went well and we were in contact the whole time when we were in the studio. He was very excited to hear everything. We hadn’t really talked about a blueprint for the album, but it was Tomas’ idea, to do something more reminiscent of At War with Reality or Slaughter of the Soul. It’s not that, but in some instances it comes close! We were very focused on doing a very hard album - that was Tomas’ goal. It’s a hard-hitting album.”\u003c\/p\u003e\n\u003cp\u003eAt The Gates have never made the same album twice. From the esoteric brutality of their earliest albums like debut 1992’s The Red in the Sky is Ours, to the streamlined melo-death perfection of Slaughter of the Soul (1995), and on to the post-reunion grandeur of At War with Reality (2014) and the progged-out eccentricities of The Nightmare of Being (2021), the Swedes have never been interested in repeating themselves or pandering to a narrow section of their audience. The Ghost of a Future Dead continues that proud tradition, with a sound that draws from all of the band’s works to date, while twisting their nebulous formula into something fresh, ferocious and unfeasibly exciting. Having returned to the fold, Anders Björler once again assumed the role of chief songwriter.\u003c\/p\u003e\n\u003cp\u003e“I would say it’s like 50\/50 Me and Jonas,” he confirms. “It’s always been like that. When I was away, Jonas took it over 100 percent. When I came back, we went back to our old pattern. It’s a lot like what we had on At War with Reality. It’s reminiscent of that album in some ways because it’s a bit more straightforward, maybe thrashy and in my style, but mixed together with his more old school and quirky At The Gates stuff. It’s a great mix, I think.”\u003c\/p\u003e\n\u003cp\u003eAfter the radical experiments of The Nightmare of Being, At The Gates make a partial return to their classic, Swedish death metal sound on The Ghost of a Future Dead. From the blistering speeds and raging fury of opening anthems The Fever Mask and The Dissonant Void onwards, the new record is an exhilarating storm of fiery, melodic death metal with a fearless creative spirit, exemplified by Lindberg’s peerlessly pugnacious vocals. Whether it’s the dark and brooding Det Oerhörda, the monstrous post-punk tornado of In Dark Distortion, or the morbid muscularity of The Phantom Gospel, The Ghost of a Future Dead is another unequivocal triumph for At The Gates, and a fearsome final statement from one of metal’s all-time greats. \u003c\/p\u003e\n\u003cp\u003e“If I remember rightly, we had all the lyrics before it was recorded, but we played with the title after he was diagnosed,” says Anders. “So the title reflects his situation, that he might not survive the illness. The working title was The Dissonant Void, but in the spring of 2024, we changed it to The Ghost of a Future Dead. I don’t know if it was like a premonition of what was about to come or anything. But now it’s an eerie title, because he has passed. It makes the title even more real somehow.”\u003c\/p\u003e\n\u003cp\u003eTomas Lindberg passed away on September 16, 2025, at the age of 52. What followed was an overwhelming outpouring of appreciation and love from the worldwide metal community and beyond. In the midst of processing such a devastating loss, the remaining members of At The Gates vowed to complete the musical journey they had been on for the previous 12 months, with Tomas’ blessings and inspirational contributions still ringing in their ears.\u003c\/p\u003e\n\u003cp\u003e“It was a really bad rollercoaster, the last couple of months, but we talked about everything, the music videos, when we should release it, and the song order on the album etc. He was very open to the idea that he might not pull through, so there were some really weird discussions,” Anders recalls. “The album was done, but we were just thinking about him. Nothing else was important. But now we felt we had to finish it for him. It felt important again somehow.”\u003c\/p\u003e\n\u003cp\u003eAs Anders concludes, Tomas Lindberg was a unique and cherished man whose endless creativity and unerring importance to heavy music cannot be overstated. The Ghost of a Future Dead is another essential part of his brave, fascinating, and inspirational story, and arguably the most powerful album At The Gates have ever recorded. \u003c\/p\u003e\n\u003cp\u003e“There’s a legacy surrounding Tomas, especially in Sweden,” says Anders. “He’s a forefather. He was one of the first people in Gothenburg involved in this scene, and he was an important figure in the tape-trading scene. He was really warm and welcoming to new people. You felt welcome in his presence, somehow. He was super social. He had a lot of friends in a lot of bands around the world. The new album feels like a good, emotional release. To get our last creative moment together out on CD and vinyl, it’s more of an existential thing. The music will speak for itself!”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. The Fever Mask (03:12)\u003cbr\u003e2. The Dissonant Void (02:47)\u003cbr\u003e3. Det Oerhörda (03:35)\u003cbr\u003e4. A Ritual of Waste (03:35)\u003cbr\u003e5. In Dark Distortion (03:50)\u003cbr\u003e6. Of Interstellar Death (03:45)\u003cbr\u003e7. Tomb of Heaven (03:53)\u003cbr\u003e8. Parasitical Hive (04:34)\u003cbr\u003e9. The Unfathomable (04:07)\u003cbr\u003e10. The Phantom Gospel (02:44)\u003cbr\u003e11. Förgängligheten (02:41)\u003cbr\u003e12. Black Hole Emission (03:39)\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56125953671547,"sku":"TRA-SONYATGGHOSTDIGICD","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/AtTheGates_13b958b2-58e2-4e09-9d09-256ba82d2199.jpg?v=1772643489"},{"product_id":"at-the-gates-the-ghost-of-a-future-dead-180g-black-vinyl-pre-order","title":"At The Gates \"The Ghost of a Future Dead\" 180g Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 24, 2026\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2026, Swedish death metal legends At The Gates will release a brand new album, The Ghost of a Future Dead. The intended follow-up to 2021’s wildly adventurous The Nightmare of Being, the Gothenburg crew’s seventh studio album has now become a magnificent, emotionally turbocharged epitaph to frontman Tomas Lindberg, who tragically passed away in September 2025. An absolute titan of underground music, Lindberg completed work on vocals for the new record before entering hospital for vital surgery at the beginning of 2024. Meanwhile, after six years away, guitarist Anders Björler rejoined the band in 2022, returning to the same line-up that recorded certified classic Slaughter of the Soul nearly three decades earlier: Tomas Lindberg, Anders Björler, bassist Jonas Björler, drummer Adrian Erlandsson and guitarist Martin Larsson.\u003c\/p\u003e\n\u003cp\u003e“After all that time away from the band, it started to sound like a fun thing to me again,” admits Anders. “We did the Damnation Festival in the UK, and then the In Flames tour in Europe, and everyone was pretty excited about me coming back and working on a new album. We had some festival shows and then started making plans. Tomas started writing some lyrics, and in the spring of 2023 we started making some music. We were working on that for six months, but then Tomas was diagnosed in December 2023, when we’d booked a studio for February. That was a major blow for everybody.”\u003c\/p\u003e\n\u003cp\u003eDespite their frontman’s health battles, At The Gates were able to finish work on demos for the new album, including a complete set of vocal takes for the new songs from Lindberg. Firmly in the creative flow, the band made the shrewd decision to keep their new album plans on track, and entered Fascination Street Studios in Örebro, Sweden, with producer Jens Bogren in the New Year.\u003c\/p\u003e\n\u003cp\u003e“Tomas completed the last songs in January 2024, the day before he went into hospital,” says Anders. “We started to record the album, his surgery went well and we were in contact the whole time when we were in the studio. He was very excited to hear everything. We hadn’t really talked about a blueprint for the album, but it was Tomas’ idea, to do something more reminiscent of At War with Reality or Slaughter of the Soul. It’s not that, but in some instances it comes close! We were very focused on doing a very hard album - that was Tomas’ goal. It’s a hard-hitting album.”\u003c\/p\u003e\n\u003cp\u003eAt The Gates have never made the same album twice. From the esoteric brutality of their earliest albums like debut 1992’s The Red in the Sky is Ours, to the streamlined melo-death perfection of Slaughter of the Soul (1995), and on to the post-reunion grandeur of At War with Reality (2014) and the progged-out eccentricities of The Nightmare of Being (2021), the Swedes have never been interested in repeating themselves or pandering to a narrow section of their audience. The Ghost of a Future Dead continues that proud tradition, with a sound that draws from all of the band’s works to date, while twisting their nebulous formula into something fresh, ferocious and unfeasibly exciting. Having returned to the fold, Anders Björler once again assumed the role of chief songwriter.\u003c\/p\u003e\n\u003cp\u003e“I would say it’s like 50\/50 Me and Jonas,” he confirms. “It’s always been like that. When I was away, Jonas took it over 100 percent. When I came back, we went back to our old pattern. It’s a lot like what we had on At War with Reality. It’s reminiscent of that album in some ways because it’s a bit more straightforward, maybe thrashy and in my style, but mixed together with his more old school and quirky At The Gates stuff. It’s a great mix, I think.”\u003c\/p\u003e\n\u003cp\u003eAfter the radical experiments of The Nightmare of Being, At The Gates make a partial return to their classic, Swedish death metal sound on The Ghost of a Future Dead. From the blistering speeds and raging fury of opening anthems The Fever Mask and The Dissonant Void onwards, the new record is an exhilarating storm of fiery, melodic death metal with a fearless creative spirit, exemplified by Lindberg’s peerlessly pugnacious vocals. Whether it’s the dark and brooding Det Oerhörda, the monstrous post-punk tornado of In Dark Distortion, or the morbid muscularity of The Phantom Gospel, The Ghost of a Future Dead is another unequivocal triumph for At The Gates, and a fearsome final statement from one of metal’s all-time greats. \u003c\/p\u003e\n\u003cp\u003e“If I remember rightly, we had all the lyrics before it was recorded, but we played with the title after he was diagnosed,” says Anders. “So the title reflects his situation, that he might not survive the illness. The working title was The Dissonant Void, but in the spring of 2024, we changed it to The Ghost of a Future Dead. I don’t know if it was like a premonition of what was about to come or anything. But now it’s an eerie title, because he has passed. It makes the title even more real somehow.”\u003c\/p\u003e\n\u003cp\u003eTomas Lindberg passed away on September 16, 2025, at the age of 52. What followed was an overwhelming outpouring of appreciation and love from the worldwide metal community and beyond. In the midst of processing such a devastating loss, the remaining members of At The Gates vowed to complete the musical journey they had been on for the previous 12 months, with Tomas’ blessings and inspirational contributions still ringing in their ears.\u003c\/p\u003e\n\u003cp\u003e“It was a really bad rollercoaster, the last couple of months, but we talked about everything, the music videos, when we should release it, and the song order on the album etc. He was very open to the idea that he might not pull through, so there were some really weird discussions,” Anders recalls. “The album was done, but we were just thinking about him. Nothing else was important. But now we felt we had to finish it for him. It felt important again somehow.”\u003c\/p\u003e\n\u003cp\u003eAs Anders concludes, Tomas Lindberg was a unique and cherished man whose endless creativity and unerring importance to heavy music cannot be overstated. The Ghost of a Future Dead is another essential part of his brave, fascinating, and inspirational story, and arguably the most powerful album At The Gates have ever recorded. \u003c\/p\u003e\n\u003cp\u003e“There’s a legacy surrounding Tomas, especially in Sweden,” says Anders. “He’s a forefather. He was one of the first people in Gothenburg involved in this scene, and he was an important figure in the tape-trading scene. He was really warm and welcoming to new people. You felt welcome in his presence, somehow. He was super social. He had a lot of friends in a lot of bands around the world. The new album feels like a good, emotional release. To get our last creative moment together out on CD and vinyl, it’s more of an existential thing. The music will speak for itself!”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. The Fever Mask (03:12)\u003cbr\u003e2. The Dissonant Void (02:47)\u003cbr\u003e3. Det Oerhörda (03:35)\u003cbr\u003e4. A Ritual of Waste (03:35)\u003cbr\u003e5. In Dark Distortion (03:50)\u003cbr\u003e6. Of Interstellar Death (03:45)\u003cbr\u003e7. Tomb of Heaven (03:53)\u003cbr\u003e8. Parasitical Hive (04:34)\u003cbr\u003e9. The Unfathomable (04:07)\u003cbr\u003e10. The Phantom Gospel (02:44)\u003cbr\u003e11. Förgängligheten (02:41)\u003cbr\u003e12. Black Hole Emission (03:39)\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56125956751739,"sku":"TRA-SONYATGGHOSTLP","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/AtTheGates_e9f50af7-63a1-4a2e-a601-1b1bf5b07cb5.jpg?v=1772643651"},{"product_id":"yoth-iria-gone-with-the-devil-gold-black-splatter-vinyl-ltd-to-250-copies-pre-order","title":"Yoth Iria \"Gone With The Devil\" Gold Black Splatter Vinyl (Ltd to 250 copies)","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: May 8, 2026\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis time we entered the studio with the clear intention of creating a landmark album for the band.\" It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.\u003cbr\u003eThe daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist\/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.\u003cbr\u003eThere's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: \"Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e 01 Dare to Rebel 05:05\u003cbr\u003e02 Woven Spells of a Demon 04:38\u003cbr\u003e03 The Blind Eye of Antichrist 04:19\u003cbr\u003e04 I, Totem 04:44\u003cbr\u003e05 3am 04:41\u003cbr\u003e06 Give 'em My Beautiful Hell 04:16\u003cbr\u003e07 Once in a Blue Moon 04:49\u003cbr\u003e08 Blessed be He Who Enters 03:30\u003cbr\u003e09 The End of the Known Civilization 04:54\u003cbr\u003e10 Harut, Government, Fallen 03:43\u003c\/span\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56126037950843,"sku":"TRA-MBYOTHGONEGOLDBLKLP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/YothIria-GoneWithTheDevil_gold-black-splatter.jpg?v=1772646576"},{"product_id":"ingested-denigration-jewelcase-cd-pre-order","title":"Ingested \"Denigration\" Jewelcase CD","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: May 8, 2026\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor nearly two decades, Manchester’s Ingested have stood as one of the UK’s most uncompromising forces in extreme metal. Champions of a sound that fuses precision brutality with increasingly dynamic songwriting, they’ve evolved from underground slam pioneers into a globally recognized, forward-driving powerhouse. With Denigration, the band begins a bold new chapter, one defined by reinvention, sharpened purpose and the arrival of a new voice at the helm.\u003cbr\u003eFurther amplifying its scope and intensity, Denigration includes standout collaborations such as “Merciless Reflection” (featuring Damonteal Harris of Peeling Flesh) and “Watch You Fold” (featuring John Gallagher of Dying Fetus), along with additional contributions from Skyler Conder (Cell) and Kyle Medina (Bodysnatcher).\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eStatement from the band:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"As we get closer to the release of Denigration, we want to share an important update.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSean and Andrew have re-recorded all vocals across the album. When the next single drops, the updated recordings will begin rolling out, and the current digital version of \"Merciless Reflection\" will be replaced. From that point forward, the new recordings will stand as the definitive edition of the record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll physical and digital versions worldwide will reflect these updated vocals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis wasn't a small decision, but it was the right one for the future of the band and the album. We're proud of how the record stands, and it represents where Ingested is today as we move forward.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis incarnation of Ingested captures a specific moment in time and stands as a unique document of this chapter in our history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlongside this, we'll begin the search for a new frontman as we build what comes next.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"v1mcePastedContent v1last-child\"\u003e\u003cspan\u003eThank you to everyone who continues to support us, it genuinely means everything.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e01 Dragged Apart (feat. Skyler Conder\/Cell)\u003cbr\u003e02 Merciless Reflection (feat. Damonteal Harris\/Peeling Flesh)\u003cbr\u003e03 Watch You Fold (feat. John Gallagher\/Dying Fetus)\u003cbr\u003e04 Stitch By Stitch    \u003cbr\u003e05 We Are All Inherently Evil    \u003cbr\u003e06 Dredge The Dark (feat. 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Champions of a sound that fuses precision brutality with increasingly dynamic songwriting, they’ve evolved from underground slam pioneers into a globally recognized, forward-driving powerhouse. With Denigration, the band begins a bold new chapter, one defined by reinvention, sharpened purpose and the arrival of a new voice at the helm.\u003cbr\u003eFurther amplifying its scope and intensity, Denigration includes standout collaborations such as “Merciless Reflection” (featuring Damonteal Harris of Peeling Flesh) and “Watch You Fold” (featuring John Gallagher of Dying Fetus), along with additional contributions from Skyler Conder (Cell) and Kyle Medina (Bodysnatcher).\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eStatement from the band:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"As we get closer to the release of Denigration, we want to share an important update.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSean and Andrew have re-recorded all vocals across the album. When the next single drops, the updated recordings will begin rolling out, and the current digital version of \"Merciless Reflection\" will be replaced. From that point forward, the new recordings will stand as the definitive edition of the record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll physical and digital versions worldwide will reflect these updated vocals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis wasn't a small decision, but it was the right one for the future of the band and the album. 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Champions of a sound that fuses precision brutality with increasingly dynamic songwriting, they’ve evolved from underground slam pioneers into a globally recognized, forward-driving powerhouse. 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When the next single drops, the updated recordings will begin rolling out, and the current digital version of \"Merciless Reflection\" will be replaced. From that point forward, the new recordings will stand as the definitive edition of the record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll physical and digital versions worldwide will reflect these updated vocals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis wasn't a small decision, but it was the right one for the future of the band and the album. 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Kyle Medina\/Bodysnatcher)\u003cbr\u003e07 Oaths Betrayed    \u003cbr\u003e08 Beaten Beyond the Veil    \u003cbr\u003e09 Steel Toe Truth    \u003cbr\u003e10 Cold Sun    \u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56126051352955,"sku":"TRA-MBINGESTEDDENIPURPHIGHLP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/Ingested-Denigration_purple-red-white.jpg?v=1772647172"},{"product_id":"ingested-denigration-clear-turquoise-blue-w-red-neonpink-splatter-vinyl-ltd-to-300-copies-pre-order","title":"Ingested \"Denigration\" Clear Turquoise Blue w\/ Red \u0026 Neonpink Splatter Vinyl (Ltd to 300 copies)","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: May 8, 2026\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor nearly two decades, Manchester’s Ingested have stood as one of the UK’s most uncompromising forces in extreme metal. Champions of a sound that fuses precision brutality with increasingly dynamic songwriting, they’ve evolved from underground slam pioneers into a globally recognized, forward-driving powerhouse. With Denigration, the band begins a bold new chapter, one defined by reinvention, sharpened purpose and the arrival of a new voice at the helm.\u003cbr\u003eFurther amplifying its scope and intensity, Denigration includes standout collaborations such as “Merciless Reflection” (featuring Damonteal Harris of Peeling Flesh) and “Watch You Fold” (featuring John Gallagher of Dying Fetus), along with additional contributions from Skyler Conder (Cell) and Kyle Medina (Bodysnatcher).\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eStatement from the band:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"As we get closer to the release of Denigration, we want to share an important update.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSean and Andrew have re-recorded all vocals across the album. When the next single drops, the updated recordings will begin rolling out, and the current digital version of \"Merciless Reflection\" will be replaced. From that point forward, the new recordings will stand as the definitive edition of the record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll physical and digital versions worldwide will reflect these updated vocals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis wasn't a small decision, but it was the right one for the future of the band and the album. We're proud of how the record stands, and it represents where Ingested is today as we move forward.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis incarnation of Ingested captures a specific moment in time and stands as a unique document of this chapter in our history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlongside this, we'll begin the search for a new frontman as we build what comes next.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"v1mcePastedContent v1last-child\"\u003e\u003cspan\u003eThank you to everyone who continues to support us, it genuinely means everything.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e01 Dragged Apart (feat. Skyler Conder\/Cell)\u003cbr\u003e02 Merciless Reflection (feat. Damonteal Harris\/Peeling Flesh)\u003cbr\u003e03 Watch You Fold (feat. 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It’s the third record that Barnes and Owen (ex-Cannibal Corpse) have created together since reuniting in 2017. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e01 Approach Your Grave\u003cbr\u003e02 Destroyed Remains\u003cbr\u003e03 Mister Blood and Guts\u003cbr\u003e04 Mutilated Corpse in the Woods\u003cbr\u003e05 Unmistakable Smell of Death\u003cbr\u003e06 Wrath and Terror Takes Command\u003cbr\u003e07 Skin Coffins\u003cbr\u003e08 Mind Hell\u003cbr\u003e09 Naked and Dismembered\u003cbr\u003e10 Grasped From Beyond\u003cbr\u003e11 Next To Die\u003cbr\u003e12 Ill Wishes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":56159830409595,"sku":"TRA-MBSFUNEXTCD","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/7440\/3641\/files\/SixFeetUnder-NextToDie_Jewel.jpg?v=1773841620"},{"product_id":"six-feet-under-next-to-die-180g-black-vinyl-pre-order","title":"Six Feet Under \"Next To Die\" 180g Black Vinyl","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 24, 2026\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-detail\"\u003e\n\u003cdiv class=\"product-detail-table\"\u003e\n\u003cdiv class=\"product-detail-table-base visibleTrue\"\u003e\n\u003cdiv class=\"description tabcontent active\"\u003e\n\u003cp class=\"MsoNormal\"\u003eNext To Die marks a new creative high for Six Feet Under, Next to Die’s dozen songs marking the band’s 15th album since 1995’s Haunted. “It started out as an album full of death metal songs with speed and aggression,” says guitarist Jack Owen. “Then Chris had the brilliant idea to keep half of those death metal songs and add some groovier songs in the vein of the early Six Feet Under material. 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Brimming with energy and fresh perspectives, the newly assembled line-up convened at The Hive Rooms, in the locale of Gatwick Airport, to nail down what would become ‘Cruel Intentions’ in July 2025.\u003c\/p\u003e\n\u003cp\u003e“We holed up in there, locked the doors and didn’t come out for a month,” Henry jests. “I didn’t see the sun that summer at all.” He had brought his new colleagues sketches of the album’s songs, and although their backbones largely remained as he had written them, they were sculpted by the hands of everyone in the band, making it, first and foremost, a collaborative effort capturing shards of everyone’s style and personality.\u003c\/p\u003e\n\u003cp\u003eThere are different shades to their sound on this outing. Henry’s songwriting leans towards the observational more than the personal. 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Brimming with energy and fresh perspectives, the newly assembled line-up convened at The Hive Rooms, in the locale of Gatwick Airport, to nail down what would become ‘Cruel Intentions’ in July 2025.\u003c\/p\u003e\n\u003cp\u003e“We holed up in there, locked the doors and didn’t come out for a month,” Henry jests. “I didn’t see the sun that summer at all.” He had brought his new colleagues sketches of the album’s songs, and although their backbones largely remained as he had written them, they were sculpted by the hands of everyone in the band, making it, first and foremost, a collaborative effort capturing shards of everyone’s style and personality.\u003c\/p\u003e\n\u003cp\u003eThere are different shades to their sound on this outing. Henry’s songwriting leans towards the observational more than the personal. 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The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. 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Newport’s reggae-metal soundsystem had earned a wealth of respect, especially on the live front with their life-affirming energy, crowd-pleasing antics, and runaway charisma. Whether they were touring with Korn or KISS, Skindred would bring the noise and leave Arena-sized rooms full of people - often complete newcomers who’d never heard the band before - beaming from ear-to-ear.\u003c\/p\u003e\n\u003cp\u003eBut as the year unfolded, Skindred flipped from cult curiosity to mainstream success: the ‘Smile’ album shot to #2 in the UK charts, they headlined their own packed out Wembley Arena, became proud winners of Best Alternative Act at the MOBO Awards, and topped the bill on different Glastonbury stages two years in a row. The irresistible ‘Gimme That Boom’ was their first calling card, soundtracking sporting events on both sides of the Atlantic, featuring in EA Sports’ ‘Madden 25’ game, and the song they performed on ‘Later… with Jools Holland’.\u003c\/p\u003e\n\u003cp\u003eThe dilemma that comes with such a breakthrough is: how can you possibly top that?\u003c\/p\u003e\n\u003cp\u003eFor Skindred and the upcoming ‘You Got This’ album, the answer turned out to be deceptively simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about the band - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.\u003c\/p\u003e\n\u003cp\u003eAnd in Benji, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. 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The band’s modus operandi is “modern vintage”, a desire to polish up the retro sounds they were raised on into a gleaming, modern product.\u003c\/p\u003e\n\u003cp\u003eAlthough some line-up changes occurred in the background (which sees Nathan Keevil join them on bass, Alan Taylor on drums, and Tom Pitt on keys), a turn of events that could have left them on shaky ground has instead been spun into a silver lining. Brimming with energy and fresh perspectives, the newly assembled line-up convened at The Hive Rooms, in the locale of Gatwick Airport, to nail down what would become ‘Cruel Intentions’ in July 2025.\u003c\/p\u003e\n\u003cp\u003e“We holed up in there, locked the doors and didn’t come out for a month,” Henry jests. “I didn’t see the sun that summer at all.” He had brought his new colleagues sketches of the album’s songs, and although their backbones largely remained as he had written them, they were sculpted by the hands of everyone in the band, making it, first and foremost, a collaborative effort capturing shards of everyone’s style and personality.\u003c\/p\u003e\n\u003cp\u003eThere are different shades to their sound on this outing. Henry’s songwriting leans towards the observational more than the personal. This time, there’s a dark passion coursing through these songs, preoccupied with notions of love, lust and the thrumming sense of danger in both.\u003c\/p\u003e\n\u003cp\u003eTake the swaggering ‘Dangerous Love’ – “It’s about doing things you shouldn’t do, but you can’t stop yourself: passion overtaking your senses and your mind getting away from you.” The title track, meanwhile, is about a stalker. 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